Conservatoire à
Rayonnement Régional
(former Conservatoire National de Région) 14, rue de Madrid, 75008 Paris Orgue de la salle Olivier Alain (photo)1996 - Gerhard Grenzing
III/32 - mechanical traction - stoplist
Orgue de la salle Mstislav Rostropovitch (??)1951 - Jacquot-Lavergne
1981 - Gonzalez
1996 - Hedelin
1999 - Dargassies
III/25 - electrical traction - stoplist
GO expressif Boudon 16 - Montre 8 - Bourdon 8 - Flûte harmonique 8 - Prestant 4 - Plein Jeu IV Bombarde expressif Basson 16 - Trompette 8 - Clairon 4 Récit expressif Diapsaon 8 - Flûte traversière 8 - Gamba 8 - Voix celeste 8 - Flûte octaviante 4 - Nasard 2 2/3 - Octavin 2 - Tierce 1 3/5 - Basson-Hautbois 8 Pédale Soubasse 32 - Soubasse 16 - Basse 8 -Flûte 4 - Basson 16 - Tompette 8 - Clairon 4 This organ is not in use anymore, but is interesting because it is the distant successor of the instrument on which Marcel Dupré gave his lessons, itself successor of the instrument used by Gigout and Vierne; it seems that it contains material from Cavaillé-Coll and a study might show that it contains pipes that César Franck played…
Organs of Paris
Conservatoire à
Rayonnement
Régional
(former Conservatoire National de Région) 14, rue de Madrid, 75008 Paris Orgue de la salle Olivier Alain (photo)1996 - Gerhard Grenzing
III/32 - mechanical traction - stoplist
Orgue de la salle Mstislav Rostropovitch (??)1951 - Jacquot-Lavergne
1981 - Gonzalez
1996 - Hedelin
1999 - Dargassies
III/25 - electrical traction - stoplist
GO expressif Boudon 16 - Montre 8 - Bourdon 8 - Flûte harmonique 8 - Prestant 4 - Plein Jeu IV Bombarde expressif Basson 16 - Trompette 8 - Clairon 4 Récit expressif Diapsaon 8 - Flûte traversière 8 - Gamba 8 - Voix celeste 8 - Flûte octaviante 4 - Nasard 2 2/3 - Octavin 2 - Tierce 1 3/5 - Basson-Hautbois 8 Pédale Soubasse 32 - Soubasse 16 - Basse 8 -Flûte 4 - Basson 16 - Tompette 8 - Clairon 4 This organ is not in use anymore, but is interesting because it is the distant successor of the instrument on which Marcel Dupré gave his lessons, itself successor of the instrument used by Gigout and Vierne; it seems that it contains material from Cavaillé-Coll and a study might show that it contains pipes that César Franck played…
